Saturday, August 29, 2009

Jews at NY Times refer to "European holocaust" of Jews in 1936, several years before alleged "mass killings"




(click image to enlarge)

AMERICANS APPEAL FOR JEWISH REFUGE

Pro-Palestine Federation Asks Britain to Take a Strong Course in Holy Land.

AIMS OF MANDATE CITED

Petition Urges It Be Made Clear to 'Turbulent Element' That These Will Be Carried Out.

Special to THE NEW YORK TIMES.

WASHINGTON, May 30, 1936.- A petition addressed to Prime Minister Stanley Baldwin expressive of the hope that Great Britain will steer a course favoring the establishment of a free Jewish nation in Palestine such as would provide refuge for millions of persecuted Jews in Eastern Europe and Germany was presented to Sir Ronald Lindsay, the British Ambassador, today by a Christian delegation representing the Pro-Palestine Federation of America and headed by the Right Rev. James F. Freeman, Episcopal Bishop of Washington.

The petition, in expressing the opinion of enlightened Christian leadership in the United States, favoring a larger Jewish immigration into Palestine, stressed the intolerable sufferings of the millions of Jews in "the European holocaust."

Urges Definite Policy

It suggested the need for a clear and definite policy on the part of the British Government in the carrying out of the stipulations of the Palestine mandate. The "sincere belief" was voiced that, in a time when bigotry and prejudice seem "to have engulfed a major portion of the civilized world, the Anglo-Saxon community of nations is called upon to blaze the trail for the dawn of a new ear of freedom, justice and human enlightenment."

The petition was signed by Samuel Harden Church, president of Carnegie Institute, Pittsburgh, Pa.; Dr. S. Parkes Cadman, president of the Union of Congressional Churches of America; Ivan Lee Holt president of the Federal Council of Churches of Christ, St. Louis, Mo.; Frederick B. Robinson, president of City College, New York; John Haynes Holmes, Community Church, New York; W.R. Hopkins, City Manager, Cleveland, Ohio, and George Gordon Battle, New York.

The Pro-Palestine Federation of America is a national organization of American Christian sympathizers and supporters of the Jewish national home cause, with offices at 307 Fifth Avenue, New York.

Text of Petition

The text of the petition follows:

"The plight of millions of human beings in Eastern Europe and Germany has stirred the conscience of enlightened mankind. Mere compassion and commiseration with the sufferings of these victims of prejudice and persecution, however, are not enough.

Bold practical measures to save these unfortunate millions from total annihilation are now called for. It is the consensus of enlightened Christian American opinion that God has bestowed upon England one of the greatest missions in human history - the salvation of Israel and restoration to its ancient patrimony. Great Britain has it within her power to throw open the gates of Palestine and let in the victimized and persecuted Jews escaping from the European holocaust.

[...]



sources:

-May 31, 1936 edition of The New York Times

- Kentuckyanna True News from VNN Forum

Jewry decides to admit Simon Wiesenthal was a fraud








Article:

The Jewish Community Online: Wiesenthal is a liar
http://www.thejc.com/comment/columnists/it-right-expose-wiesenthal



Note: use http://www.archive.org/ to find article if original URL no longer works

Wednesday, August 26, 2009

Review of "The Jewish Century" by Yuri Slezkine

Looks like a good candidate for the personal library:



“Stalin’s Willing Executioners”?

By Kevin MacDonald
November 05, 2005

Yuri Slezkine’s book The Jewish Century, which appeared last year to rapturous reviews, is an intellectual tour de force, alternately muddled and brilliant, courageous and apologetic. Slezkine’s greatest accomplishment is to set the historical record straight on the importance of Jews in the Bolshevik Revolution and its aftermath. He summarizes previously available data and extends our understanding of the Jewish role in revolutionary movements before 1917 and of Soviet society thereafter. His book provides a fascinating chronicle of the Jewish rise to elite status in all areas of Soviet society—culture, the universities, professional occupations, the media, and government. Indeed, the book is also probably the best, most up-to-date account of Jewish economic and cultural pre-eminence in Europe (and America) that we have.

The once-common view that the Bolshevik Revolution was a Jewish revolution and that the Soviet Union was initially dominated by Jews has now been largely eliminated from modern academic historiography. The current view, accepted by almost all contemporary historians, is that Jews played no special role in Bolshevism and indeed, were uniquely victimized by it.

[...]

Despite the important role of Jews among the Bolsheviks, most Jews were not Bolsheviks before the Revolution. However, Jews were prominent among the Bolsheviks, and once the Revolution was underway, the vast majority of Russian Jews became sympathizers and active participants.

Jews were particularly visible in the cities and as leaders in the army and in the revolutionary councils and committees. For example, there were 23 Jews among 62 Bolsheviks in the All-Russian Central Executive Committee elected at the Second Congress of Soviets in October, 1917. Jews were leaders of the movement and to a great extent they were its public face.

Their presence was particularly notable at the top levels of the Cheka and OGPU (two successive acronyms for the secret police). Here Slezkine provides statistics on Jewish overrepresentation in these organizations, especially in supervisory roles, and quotes historian Leonard Shapiro’s comment that “anyone who had the misfortune to fall into the hands of the Cheka stood a very good chance of finding himself confronted with and possibly shot by a Jewish investigator.”

During the 1930s, Slezkine reports, the secret police, now known as the NKVD, “was one of the most Jewish of all Soviet institutions”, with 42 of the 111 top officials being Jewish. At this time 12 of the 20 NKVD directorates were headed by ethnic Jews, including those in charge of State Security, Police, Labor Camps, and Resettlement (deportation).

The Gulag was headed by ethnic Jews from its beginning in 1930 until the end of 1938, a period that encompasses the worst excesses of the Great Terror.

They were, in Slezkine’s remarkable phrase, “Stalin’s willing executioners”.


Slezkine appears to take a certain pride in the drama of the role of the Jews in Russia during these years. Thus he says they were

“among the most exuberant crusaders against ‘bourgeois’ habits during the Great Transformation; the most disciplined advocates of socialist realism during the ‘Great Retreat’ (from revolutionary internationalism); and the most passionate prophets of faith, hope, and combat during the Great Patriotic War against the Nazis”.

Sometimes his juxtapositions between his descriptions of Jewish involvement in the horror of the early Soviet period and the life styles of the Jewish elite seem deliberately jarring. Lev Kopelev, a Jewish writer who witnessed and rationalized the Ukrainian famine in which millions died horrible deaths of starvation and disease as an “historical necessity” is quoted saying “You mustn’t give in to debilitating pity. We are the agents of historical necessity. We are fulfilling our revolutionary duty.”

[...]


Review By Bill Guru
8-26-2009

"The Jewish Century" by Yuri Slezkine is easily the most significant revisionist work ever to be produced by a Jewish scholar. Although the book purports to be a study of the Jewish impress upon the twentieth century, based on the three migrations ­ (1) Jews to America, (2) Jews to Palestine, and (3) Jews from the Soviet countryside to the Soviet cities ­ it is in reality a study of the Jewish success story in the Soviet Union of the 1920's and 1930's, when Jews were the ruling class of the pre-WW2 USSR.

Slezkine begins his study by comparing Jews to other groups in and Asia and Africa. Throughout he contrasts "Mercurians" and "Apollonians", the former creatures of the mind, the latter earth-bound, agrarian peoples. Jews, supposedly the ultimate Mercurians, are at odds with "the peoples of the earth" (a Talmudic phrase) among whom they live. This pattern, Slezkine finds, is essentially no different than the pattern of other groups similarly situated, such as the Chinese in Indo-China, for example. Of course, Slezkine does not discuss the peculiar ethics of the Babylonian Talmud as a possible aggravating factor unique to Jews, but otherwise his analysis is unobjectionable. Like Professor Kevin MacDonald, Slezkine finds that there is a rational basis for Jewish-non-Jewish tensions, tensions that are remarkably similar to those of other groups.

Sociology aside, the heart and guts of Slezkine's material appears in chapters three and four: "The Jews and the Russian Revolution" (and) The Jews and Three Promised Lands." These chapters contain material so shocking that it is a wonder that Slezkine dares reveal it all, particularly in a context of Jewish "success" (the "success" of total power and ruthless mass murder?). Essentially, Slezkine demonstrates that the first twenty years following the Bolshevik Revolution of November 1917 allowed Jews, the former betes noirs of the hated Tsarist regime, to become the new ruling class of Russia in every respect, including the secret police, the Gulag camp administration, the foreign service and spy department, the press and various news agencies, the cultural and professional elites, intellectual leadership as the party's chief spokesmen, and a disproportionate share of the upper level positions in every commissariat.

It was only with the great purge of 1938-1939 that Jews began to lose some of their influence in the upper levels. But even then, as Slezkine demonstrates, Jews were not, contrary to popular misconception, singled out for persecution. Their share of the victims was lower, on a percentage basis, than that of the other groups targeted, such as Poles or Latvians. Unlike these groups, who were tainted by foreign loyalties, Jews were not perceived as being inherently disloyal to the Soviet regime. Only in the post-war purges of Zionists and cosmopolitans were Jews targeted as such. Of course, the creation of the state of Israel created a potential ­ and actual ­ dual loyalty problem. Stalin, who had personally witnessed the old pre-revolutionary struggle of the 1880's onward, was well aware of how many Jewish comrades in the Russian Social Democratic Labor Party had preferred their communist state in Palestine rather than in Russia. With Israel's creation in 1948 many Jewish communists who had spent their lives loyally serving the Bolshevik state were filled with enthusiasm for communism ("Next year in Jerusalem"!). Slezkine notes that the anti-Jewish purges moderated, then ceased, following Stalin's death, but the amazing Jewish preponderance in the hierarchy of "scientific socialism" was never totally regained. Jews did, however, remain prominent in cultural and professional circles until the very end of the Soviet regime.

"The Jewish Century" does an excellent job of putting all this in proper historical context. As Slezkine notes, Russia's Jews did not originate the revolutionary movements within the empire of the tsars, but once they joined the revolution they became its most enthusiastic ­ and brutal ­ champions. Jews provided an extremely disproportionate number of the assassins and terrorists of the pre-1917 period. Whenever a tsarist minister or official was blown up, shot, knifed, or splashed with acid, the chances were one in four to one in two that the miscreant was a Jew. It was the Jewess, Hessia Helfman, who plotted the assassination of Tsar Alexander 2. Mordecai Bogrov, Gershuni and Vera Finger were other well-known Jewish assassins of the 1880-1917 period. Their murderous activities would be continued with a vengeance by the OGPU/NKVD under such worthies as Moishe Uritsky, Henrik Yagoda, and Lavrenti Beria.

As Yuri Slezkine notes, Jews did not just practice communism in Russia; they practiced it in the United States as well. Whenever the Kremlin looked for agents in the United States it first sought out children of Russian Jews. When Senator McCarthy's hearings were at their height the vast majority of the accused were very obviously Jewish ­ a fact which led to a quick attack of "synthetic patriotism" made to order for the occasion by the Jewish defense agencies, the American Jewish Committee in particular. However, political expediency, then and now, prevented any direct attack on the real problem. Jewish communism in Russia was waning about the same time that Jewish radicalism in the United States was about to accelerate. The 1960's saw an explosion of leftist radicalism in which the Jewish component was, as Slezkine admits, of almost the same ratio as the Jewish involvement in communism of the 1920's and the 1930's. Without the Jews, no 1960's. Several social scientists of the "decade which changed everything" determined that being Jewish was the single most important factor in predicting radical behavior.

One cannot read "The Jewish Century" without thinking of the image of Red Auerbach lighting up his cigar as coach of the Boston Celtics. Were the year 1950, 1960, or even arguably 1970, Yuri Slezkine could never have written "The Jewish Century" ­ and Princeton University Press would never have considered publishing it. In scholarly, matter of fact, ever so slightly boastful language, "The Jewish Century" is everything an erudite, closet anti-Semite could ask for. It documents the Jewish disproportion in ­ and arguably collective responsibility for ­ history's greatest crime in a fashion which none can dispute. It does not directly raise certain untidy questions, but it certainly implies them. One can only wonder if some day another Yuri Slezkine will write a book arguing in favor of the infamous Protocols of the Learned Elders of Zion, or even propose an alternative history of World War 2 and related incidents.

Thursday, August 13, 2009

Creating a Society of Dumbed-Down Compliant Automatons Via Neurotoxins

Source: Northern Truth Seeker

Why are people not rising up and overthrowing their corrupt governments? Why are people sitting idly by while their economies implode and they are losing their entire livelihoods?

These are questions that are constantly being asked, and yet they seem to be totally ignored. I myself have been putting out the answers and yet people do nothing! I have watched as this generation is actually dumber than the last, and the question becomes... Why?

The answer may be right under our very noses. The criminals are purposely poisoning this generation to create nations of mindless zombies. This generation does not ask questions like previous generations, and the children of today are taught in schools not to think and rationalize any topics, or subjects. They are becoming mindless automatons. Mindless robots!

Here may be the answer as to what is causing this downgrade in our society. Watch the following video, and my comments will follow:



NTS Notes: Are the Zionists poisoning our bodies to make sure that we do not rise up against them? If anyone takes the time to look at their Protocols of The Learned Elders of Zion, it states clearly that they will do what is necessary to prevent us from fighting back against them, even using chemicals to weaken our minds and our bodies!

Take all steps necessary to cleanse your bodies of all of their poisons. We need clear and healthy minds for the fight against criminality.

Sunday, August 9, 2009

Lady Gaga, The Illuminati Puppet


interesting article; insightful website

Aug 4th, 2009 | By Vigilant

The symbolism surrounding Lady Gaga is so blatant that one might wonder if it’s all a sick joke. Illuminati symbolism is becoming so clear that analyses like this one becomes a simple exercise of pointing out the obvious. Her whole persona (whether its an act or not) is a tribute to mind control, where being vacuous, incoherent and absent minded becomes a fashionable thing.

Her Name

Gaga is a term that immediately refers to absent mindedness. Here are some synonyms taken from a thesaurus:

-Given to lighthearted silliness: empty-headed, featherbrained, flighty, frivolous, frothy, giddy, harebrained, lighthearted, scatterbrained, silly. Slang birdbrained, dizzy.
-Afflicted with or exhibiting irrationality and mental unsoundness: brainsick, crazy, daft, demented, disordered, distraught, dotty, insane, lunatic, mad, maniac, maniacal, mentally ill, moonstruck, off, touched, unbalanced, unsound, wrong.


[...]

Her name is also said to be inspired by Queen’s song “Radio Gaga”. The video of this song contains many scenes of the 1927 movie Metropolis. As seen in my article on Beyonce/Sasha Fierce, the motion picture tells the story of a woman from the working class that was chosen by the elite to give life to a robot, through a mix of science and Black magic.


Scene from Metropolis – Maria giving her likeness to a robot. Is this a metaphor for mind control? Notice the inverted pentagram in the background: Black magic and Satanism.

This robot becomes a sexy and alluring performer and is given the goal to corrupt the working class. References to this movie abound in music videos, as if it was very significant for the occult elite. Madonna, Beyonce, Kylie Minogue and many others have taken the likeness of this female robot and, as you’ll see in the “Paparazzi” video, Lady Gaga also continues this “tradition”.

Her Logo



Her logo is pretty revealing and particularly fitting. Its a headless female body with a bolt of lightning going through her and exiting her genitalia. There is once again a focus on the lack of conscious thought by the singer. The body looks like the weird headless mannequins you find at clothing stores. The bolt of lightning implies that her thoughtless body has been “charged” with a force that gives it life (interesting note: trauma-based mind control is often induced using electro-shock treatments).

The bolt of Lightning also bears an occult meaning as it symbolizes Lucifer who was “cast out of heaven like a lightning bolt”.

[...]

All-Seeing Eye Symbolism


You only need to look at a couple of Lady Gaga pictures or videos to notice that she is constantly hiding one of her eyes. Most people will simply interpret this as ”a cool thing to do” or a “fashion statement”. Those who have passed the 101 of Illuminati symbolism know that the All-Seeing Eye is probably its most recognizable symbol. The gesture of hiding one eye, usually the left one, goes way back in occult orders. Here’s an explanation of the origin of the Eye of Horus.

Horus, the sun of Osiris and Isis was called ‘Horus who rules with two eyes’. His right eye was white and represented the sun: his left eye was black and represented the moon. According to the myth, Horus lost his left eye to his evil brother, Seth, who he fought to avenge Seth’s murder of Osiris. Seth tore out of the eye but lost the fight. The eye was reassembled by magic, by Thoth, the god of writing, the moon and magic. Horus presented his eye to Osiris, who experienced rebirth in the underworld.
-Dictionary of the Occult




Her Videos

Almost all of Lady Gaga’s videos contain occult symbolism and not-so-subtle hints referring to mind control.

Paparazzi Video
Lady Gaga - Paparazzi (Official Music Video)


This video is loaded with symbolism but we’ll focus on the main story. It basically describes the fall and rise to the top of Lady Gaga, who, during the process, went through a huge metamorphosis.

Lady is in a bedroom with her boyfriend and they’re “getting it on”. Notice the Masonic checkerboard pattern on the wall and a ram’s head, representing Satanism. He takes her outside on the balcony (which also features a checkerboard pattern). After noticing cameras taking pictures, the guy starts acting strangely and things get violent. He finally pushes Lady off the balcony.

While falling down, the background becomes a swirling pattern, typically associated with hypnotism. Lady Gaga falls down rather stylishly, hinting the fact that this descent is not physical. It represents the “trauma” victims of mind control have to go through in order to be “rebuilt from scratch”.

Lady Gaga then enters a mansion in a wheel chair and gradually takes off her clothes.

She slowly starts walking, with the help of crutches, representing her reeducation by the occult elite (she is inside a mansion). She is dressed like a robot, hinting Maria from the movie Metropolis, as seen above. Another scene shows her dancing in a half white/half black wedding dress. This signifies her (forced) association with the “dark Brotherhood”. Her transformation is then complete.

We then see her next to the boyfriend that pushed her off the balcony.

She is wearing Mickey Mouse clothes, hinting once again Monarch programming. She is behaving in a very robotic way, as if her thoughts and actions were controlled by someone else. Gaga then proceeds to poison the guy and smiles very weirdly about it. The fact that she murdered her boyfriend refers to the level “Delta” of the Monarch project, which is also known as the “killer” programming. Here’s a description of it

DELTA. This is known as “killer” programming, originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear; very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
-Dr. Corydon Hammond, Project Monarch Programming Definitions


After carrying out her murderous mission, Lady Gaga is more popular than ever and reaps the rewards of being an Illuminati slave.

[...]

To Conclude

Lady Gaga is a poster-girl for Illuminati mind control, a puppet who embodies exactly what the public represents in the eyes of the elite: mindless drones, mannequins, remote controlled robots, hypnotized degenerates incapable of thinking coherently. On the other hand, her symbolism is deep, esoteric and even spiritual. This paradoxical aspect of Lady Gaga is something that deserves to be analyzed and understood. While masses of young people imitate Gaga’s brain-dead persona, the subversive symbolism surrounding her art still reaches the fan’s subconscious.




Related Articles:
- Lady Gaga’s “Alejandro”: The Occult Meaning
- The 2009 VMAs: The Occult Mega-Ritual